Public Art Reopens Erased Histories Through Civic Imagination
At the Aspen Ideas Festival, artists Walter Hood, Janet Echelman and Glenn Kaino argued that imagination is not an ornamental artistic faculty but a civic practice, one that lets Americans contest official memory, inhabit public space differently and imagine plural futures. In a conversation moderated by Megan O’Grady, they described public art as most powerful when it resists fixed interpretation, draws viewers into bodily experience and keeps alive forms of attention that metrics, politics and technology tend to flatten.
The Aspen Institute·Jul 2, 2026·21 min read
