Glenn Kaino
Los Angeles-based conceptual artist and filmmaker whose practice spans sculpture, installation, performance, public art, and documentary work, often connecting art with activism, cultural memory, and civic life.
Public Art Reopens Erased Histories Through Civic Imagination
At the Aspen Ideas Festival, artists Walter Hood, Janet Echelman and Glenn Kaino argued that imagination is not an ornamental artistic faculty but a civic practice, one that lets Americans contest official memory, inhabit public space differently and imagine plural futures. In a conversation moderated by Megan O’Grady, they described public art as most powerful when it resists fixed interpretation, draws viewers into bodily experience and keeps alive forms of attention that metrics, politics and technology tend to flatten.
Soccer’s Democratic Promise Depends on Who Gets to Play
At an Aspen Ideas Festival session tied to the Aspen Institute and LACMA’s “Why We Play” project, Tom Farrey framed soccer as civic infrastructure: a game that can shape identity, trust, diplomacy, gender opportunity and economic life. Carolyn Blodgett, Betsey Stevenson and Glenn Kaino extended the case, arguing that those benefits do not flow from soccer automatically. They depend on the institutions around the game — schools, fields, transport, Title IX, team culture and affordability — and can disappear when access is captured by families able to pay for it.